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So it’s a trade-off, but one that’s been worth doing to liven things up.
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(And some episodes like “Four Movements” and “He Said, She Said,” feature interludes that are designed to be wholly dramatic.) The season’s most hilarious installment so far was “The Honeypot,” which is pretty standard-issue for the series in story and structure. But most of them, like “The Box” was, tend to be more plot-driven than Brooklyn usually is, which means less room for jokes. It’s entertaining to see how much these characters and this world can stretch after five-plus years of watching so many variations on the usual formula.
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That said, we still love writing a good old ‘Jake and Holt team up to catch a serial killer’ episode!”Īll of these unconventional episodes have, as Goor had hoped, kept this season feeling fresh. After 130 episodes, episodes like ‘Tickling Clocks’ and ‘Casecation’ help us keep things fresh for ourselves (!) and hopefully for the audience. Finally, we’ve tried really hard to keep the characters and the world of Brooklyn grounded and true to the reality level that we set up in the pilot, even as we enter Season Seven, but doing that makes it difficult to tell new stories without egregiously repeating ourselves. That definitely motivated us to try more episodes that broke the mold. Also, we really enjoyed writing ‘The Box’ and felt like it was a real success. These form-breaking episodes give us an excuse and an opportunity to dial down on just one story and a limited number of characters. “As you’ve noticed in your reviews,” he replied, “we try to include all of our characters in a meaningful way in every episode and sometimes that can be difficult. I reached out to co-creator Dan Goor to ask whether this shift was a response to the popularity of “The Box,” to the show’s advanced age in sitcom years or to something else. In seasons past, Brooklyn has tended to do very well with off-format episodes like “Moo Moo” (Season Four, Terry is racially profiled) or “The Box” (Season Five, Jake and Holt interrogate a single suspect all night), but the series is really leaning into the idea this year.
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That’s following “Four Movements” (Gina says goodbye to everyone in very different ways), “The Crime Scene” ( Jake and Rosa spend weeks obsessing over an unsolvable case), “He Said, She Said” ( Amy and Rosa clash over how to treat a sexual assault case) and “Casecation” (mid-stakeout, Jake and Amy debate whether to have kids). “Tickling Clocks,” a frantic hunt for a precinct hacker that plays out in real time, is the fifth out of 14 episodes so far in Season Six to notably shift the series’ usual tone or structure.
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A review of “Tickling Clocks,” this week’s Brooklyn Nine-Nine, coming up just as soon as I find out about the hot goss…